Saul in Prague: Better heard than seen
"Soprano Kristýna Vylíčilová has a lovely lyrical sound and style that gave Michal strong emotional appeal."
Handel's Saul with a cloth and the Scholl
"Especially impressive was her gentle duet with Andreas Scholl, where it was noticeable how much attention you pay other singers and how closely you insist that rhythmically or dynamically disconnecting from one another."
Liteň treatment of Mozart's music
" Followed again good, although quite different input princess Vitellia from the same opera soprano Kritýna Vylíčilová . Working with expressive facial expressions and gestures in the aria " Non pi ù di Fiori"Accompanied by a natural contact with the viewer. Darker soprano dominated very well, leaving the impression of a truly mature stage performance.."
From the first days of the Olomouc Baroque
"Above the main performances of the pair have no choice but to take off - the amount of energy, joy, despair and hope, both of which she's attached to their singing parts, was truly exemplary. The singers were able to transfer the emotions of the characters directly to the audience. Works fine with phrasing and dynamics could breathe Theseus and Ariadne human depth and believability."
"...in an otherwise magnificent lament where Vylíčilová showed very emotionally tense performance."
Many artists - Juan's death
"Best performance of the trio filed Kristýna Vylíčilová doubt he would have been happy to listen to the whole role of Donna Anna."
I Figaro has the right to rest
"Kristýna Vylíčilová , which she sang Barbarina healthy, well led by soprano, which arouses anticipation of her next trips musician."
The lady’s for killing: Jana Kurucová starring as Carmen in Litoměřice
“The pleasant surprise of the night was the young lyrical soprano Kristýna Vylíčilová. Contrasting Jana Kurucová as the sensuous Carmen, Ms. Vylíčilová’s Micaëla/Don José duet and the aria Je dis que rien ne m’épouvante abounded in delicateness and plausibility, and we can only hope this gifted singer will be given more opportunities.”
Leopold Koželuh’s Coronation Cantata brought to life after 225 years
"The primary credit goes to the soprano Kristýna Vylíčilová (a graduate of the Academy of Performing Arts/VŠMU in Bratislava), whose rendering of the intricate recitatives and arias was distinguished by exquisite structure and musicality, a feel for expressive details, concentration and lightness of tone, all completely in line with interpretation standards.”
Jiří Bartoš Sturz
13. 2. 2017
Koželuh’s Coronation Cantata on stage again
“The soprano Kristýna Vylíčilová gave each of her arias some lovely warm tones, carefully applying dramatic effect only where necessary; the moderately agitated recitatives came out beautifully in her rendition.”
Rossini’s L’occasione fa il ladro in the South of Bohemia
“Some very good singing came from the young soprano Kristýna Vylíčilová who was Klementina, displaying an undeniable vocal talent for this style of music. Her pleasant, flexible soprano has a light high register, with notes produced correctly “from above”, easy to understand in Czech as well as Italian… Moreover, the good-looking singer has a stage presence featuring natural facial expressions and a unity of singing and gestures, being one of the few on the stage capable of listening to what the others have to say and responding with adequate anticipation.”
Händel and Míča at the Olomouc Baroque Festival
"The indispensable female element was here represented by Trigoniana. The Roman founder of the colossi was portrayed with an abundance of expressions and emotions, assets associated with the mature soprano Kristýna Vylíčilová; her immensely colourful coloratura singing is simply a rare treat for the audience.”